In order to fight a dragon
€67,00
Prix promotionnel
€67,00
Prix régulier
Passer aux informations sur le produit
In order to fight a dragon
€67,00
Prix promotionnel
€67,00
Prix régulier
Taxes incluses.
T-shirt coupe Charles Margaux en résille façon tricot et fourrure synthétique.
Taille S correspondant à un 38.
Largeur 94 cm, Longueur 70 cm, Largeur bras, 40 cm, Longueur bras, 70 cm
Confectionné à Paris.
Pièce unique.
Size & Fit
Each piece is made in size 38, based on my measurements.
It emerges from a direct relationship to the body: like a skin, like a shedding, like a form first lived through intimately before being shared.
This choice is not intended to exclude, but to affirm the origin of each garment. The piece is not conceived as an abstract standard, but as the extension of a real body, a presence, a gesture.
Depending on their construction, volume, or suppleness, some cuts may suit different body types. For any questions regarding fit, you are welcome to contact us directly.
Made to Measure
Some pieces can be reproduced made to measure, depending on their shape, complexity, and the availability of materials.
A made-to-measure reproduction is never an industrial duplication. It is a faithful reworking of the spirit of the piece, readjusted for another body, with all that this implies in terms of listening, time, adaptation, and the renewal of the gesture.
Made-to-measure work therefore involves an additional cost, which varies according to the modifications requested, the complexity of the piece, and the time required.
For any request, please contact us directly so that we may assess feasibility, timing, and the conditions of production.
Construction Details
CHARLES MARGAUX pieces do not follow the traditional standards of serial garment production.
Most of them have neither lining nor overlock finishing. These choices result from an aesthetic and sensorial position. They allow the truth of the material, the clarity of the gesture, the tension of the cut, and the vulnerability of the construction to remain visible.
Each piece therefore embraces a form of structural frankness: it does not seek to conceal its making, but to let it remain perceptible.
Production rhythm
CHARLES MARGAUX does not operate through drops, nor according to the conventional calendar of collections.
The pieces appear within a continuous flow of creation, at a rhythm of one to four pieces per week, depending on impulse, the time required for their making, and the specific demand of each form.
This deliberately restrained rhythm preserves the singularity of the garments, the precision of the gesture, and a more direct relationship between creation and sharing.
Here, production does not seek accumulation. It follows necessity.
Intention
These creations are meant to place singular pieces into shared experience.
Each garment begins in an intimate search, yet it is destined to be worn, inhabited, and transformed by other bodies. The aim is not to fix the piece as a closed object, but to offer a living form, capable of encountering other presences.
Each piece is unique. It retains the memory of the body from which it first emerged, while opening itself to the one who chooses it.
Clarity may come with confusion; radiance appears within the blur
